Mac wrote:Lorccan,
Of course, nothing we ever do is really authentic. Our materials and techniques are wrong, but we all have to draw our "authenticity lines" somewhere. For me, a solid rivet cast in copper alloy just does not make the cut when the originals were clearly hollow constructs of iron. You might say "but, there you are, thinking about turning your preforms on a modern lathe!" It's true. I was contemplating techniques that they would never have used, but they would have produced a similar product.
In the end, it's the product I'm interested in. I want to make something that looks and acts like the real thing, even if I did not get there the right way. I want the person who wears my armor to have something of a medieval experience, even if I did not have a medieval experience making it.
Mac
That all makes perfect sense - my question arose from a misunderstanding on my part. I knew that the hollow, constructed decorative rivet was a commonplace around the time frame for this harness, but I thought that it existed alongside cast ones. If I understand you now correctly, there are no existing examples of the spiral rivets in question cast in one piece. As such, I can certainly see why you'd reject casting them for this project.
Iron rivets with decorative latten heads always made sense to me as a way to combine strength with decoration, particularly for articulations. For decorative lining rivets, it seems like casting would be easier, and suitably strong - probably the way to go for a less conscientious modern build, but our forebears must have chosen as they did for their own reasons.
I admire Jiri's approach (which, to judge from your sketches, you have also considered), and I wonder how well it could work with a shaped female die, to sharpen things up.