Soft tissue can be very compressible without becoming uncomfortable.lorenzo2 wrote:Got to love the way the waist on that breast wasps in. The client must be in pretty good shape.
English? who wants to see that?
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Awesome work so far, Patrick! Thanks again for the thread!
One thing I've noticed about this thread and the earlier one you made for the Italian suit is that we see pictures of stuff somewhat roughed into shape, and the next time we see them they're nice and shiny. How much planishing do you do? Obviously it's not a very sexy step to photograph, but the pics in these threads could lead us to thing you just rough stuff out, maybe bouge it a little and then grind the snot out of it.
Like I said, I'm grateful to have these pics at all... just wondering how much time you spend planishing. I'm pretty new at metal-pounding, so it takes me about as much time to planish a piece as it does to rough it out.
Lookin forward to seeing how this progresses!
Kase
One thing I've noticed about this thread and the earlier one you made for the Italian suit is that we see pictures of stuff somewhat roughed into shape, and the next time we see them they're nice and shiny. How much planishing do you do? Obviously it's not a very sexy step to photograph, but the pics in these threads could lead us to thing you just rough stuff out, maybe bouge it a little and then grind the snot out of it.
Like I said, I'm grateful to have these pics at all... just wondering how much time you spend planishing. I'm pretty new at metal-pounding, so it takes me about as much time to planish a piece as it does to rough it out.
Lookin forward to seeing how this progresses!
Kase
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The ovelapping pauldrons ware an advanced development, that served two purposes.Maeglin Oronar wrote:Ahh. Those are some pauldrons i like. I, for some reason, don't like the look of pauldrons that the tips overlap. its strikes me as bad measuring sometimes...
but these, ahh, very nice Patrick
1. they covered the rear, which was vulnerable in the middle of a cavalry melee.
2. the longer wing to the pauldron prevents the pauldron edge catching in the armhole after you raise your hand to strike with sword or mace, and swing it down.
If this suit (the effigy) were made post 1450, the pauldrons would have overlapped - like they do in the Schwabish-Gumund harness. It is practical, not just fashion for the later pauldrons to have the wings.
Just curious but has anyone seen pauldrons like these work for SCA heavy combat? Do they allow across the body type blows to be thrown, or is their focus purely lance and sword cavalry?
One thing I wanted to see with "making-of a suit in pictures" suit was how the pauldron interacted with the rest of the breastplate and gorget if a person (armoured) squarely faced you and pointed at your right shoulder with their right hand. It seemed it would be the same as the toe touching image but then again it might be diffrent while standing.
One thing I wanted to see with "making-of a suit in pictures" suit was how the pauldron interacted with the rest of the breastplate and gorget if a person (armoured) squarely faced you and pointed at your right shoulder with their right hand. It seemed it would be the same as the toe touching image but then again it might be diffrent while standing.
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If they are good copies of the real thing, they will not. They are designed principly for a mounted horseman to use a lance and saddle weapon, or a dismounted one to use a pollaxe two handed.VRIN wrote:Just curious but has anyone seen pauldrons like these work for SCA heavy combat? Do they allow across the body type blows to be thrown, or is their focus purely lance and sword cavalry?
One thing I wanted to see with "making-of a suit in pictures" suit was how the pauldron interacted with the rest of the breastplate and gorget if a person (armoured) squarely faced you and pointed at your right shoulder with their right hand. It seemed it would be the same as the toe touching image but then again it might be diffrent while standing.
I really hate disagreeing with you, Bob, but I have to dispute this. There's no reason you shouldn't be able to move your arms 'cross body' in such pauldrons.chef de chambre wrote:If they are good copies of the real thing, they will not.
[img]http://josh.mediumaevum.com/library%201%20088.jpg[/img]
While I doubt mine are a perfect copy, they are at least put together correctly, and I have had no trouble using them in SCA (or any other) combat in the two-and-a-half years I've owned them. The only time they catch on the cuirass' armhole-rim is when I do a cartwheel.
EDIT: Yeah, I know my arms aren't reaching across my body in the photo; it's the only photo I've got of my arms actually moving in my pauldrons. But I swear that I have no trouble patting my left shoulder with my right arm and vice-versa.
"When a land rejects her legends, Sees but falsehoods in the past;
And its people view their Sires in the light of fools and liars,
'Tis a sign of its decline and its glories cannot last."
And its people view their Sires in the light of fools and liars,
'Tis a sign of its decline and its glories cannot last."
Josh-
Thanks for posting that image. You have a beautiful harness! Thats just the kind of dynamic sort of thing I want to see. It suggests that it can be done.
I haven't figured the formula for getting larger over the shoulder pauldrons to move naturally. I looked over Patricks last suit and saw that his last set had a hard connection in back at the lames and a lapped leather connection at the front... could it be that easy???
Patrick-
I hope we can get some pics of the inner workings of these pauldrons when they get to that phase. Thanks again for posting the process pics!!!
Thanks for posting that image. You have a beautiful harness! Thats just the kind of dynamic sort of thing I want to see. It suggests that it can be done.
I haven't figured the formula for getting larger over the shoulder pauldrons to move naturally. I looked over Patricks last suit and saw that his last set had a hard connection in back at the lames and a lapped leather connection at the front... could it be that easy???
Patrick-
I hope we can get some pics of the inner workings of these pauldrons when they get to that phase. Thanks again for posting the process pics!!!
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Vrin, I recommend that you purchase Osprey's "English Medieval Knight 1400-1500." There are one or two good inside photos of similar pauldrons in there.
"When a land rejects her legends, Sees but falsehoods in the past;
And its people view their Sires in the light of fools and liars,
'Tis a sign of its decline and its glories cannot last."
And its people view their Sires in the light of fools and liars,
'Tis a sign of its decline and its glories cannot last."
And here we see the *entire* reason why Josh refuses to do 14thc:
Note the smooth lines... the manly arch of the pauldrons... the wasp waist... the concentric rings protecting the tender small of his back.... aaaahhh, fifteenth century back armour, let Josh count the ways he loves thee...
Okay, sorry Patrick for hijacking this thread, but I just can't resist a chance to tease Josh.
-Tasha
Note the smooth lines... the manly arch of the pauldrons... the wasp waist... the concentric rings protecting the tender small of his back.... aaaahhh, fifteenth century back armour, let Josh count the ways he loves thee...
Okay, sorry Patrick for hijacking this thread, but I just can't resist a chance to tease Josh.
-Tasha
Latest blog post: Pourpoint of Charles VI of France article now available in digital format!
Charles de Blois Pourpoint pattern
To follow my arts and research, check out my La cotte simple facebook page.
Charles de Blois Pourpoint pattern
To follow my arts and research, check out my La cotte simple facebook page.
Am I missing something? Is something wrong with my back?Tasha McG wrote:And here we see the *entire* reason why Josh refuses to do 14thc:
http://www.cottesimple.com/misc/15thc_back_pr0n.jpg
Note the smooth lines... the manly arch of the pauldrons... the wasp waist... the concentric rings protecting the tender small of his back.... aaaahhh, fifteenth century back armour, let Josh count the ways he loves thee...
Okay, sorry Patrick for hijacking this thread, but I just can't resist a chance to tease Josh.
-Tasha
Naming the pic "15thc_back_pr0n" is funny. My wife read what you wrote and says that you've got me pegged, I'm afraid. 15th century Italian backplates do indeed make me go all tingly in the pants.
Yeah, I guess I sort of hijacked this thread, too. Not too badly, though; after all, my backplate is Patrick's work, too...
"When a land rejects her legends, Sees but falsehoods in the past;
And its people view their Sires in the light of fools and liars,
'Tis a sign of its decline and its glories cannot last."
And its people view their Sires in the light of fools and liars,
'Tis a sign of its decline and its glories cannot last."
- white mountain armoury
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Of course I'm not saying anything is wrong with your back! It looks darn-tootin' good! I'm just referencing your dogged dislike of the questionable back defense of the 14thc.
-Tasha
-Tasha
Latest blog post: Pourpoint of Charles VI of France article now available in digital format!
Charles de Blois Pourpoint pattern
To follow my arts and research, check out my La cotte simple facebook page.
Charles de Blois Pourpoint pattern
To follow my arts and research, check out my La cotte simple facebook page.
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If I didn't know better, Ralph, I'd say you were fond of her. erm, I mean it...the cuirass.....lol
Christopher
Christopher
War kittens?!!!
"Born to lose. Live to win."
Historical Interpreter- Jamestown Settlement Museum
Master's Candidate, East Carolina University
Graduate of The College of William & Mary in Virginia
"Born to lose. Live to win."
Historical Interpreter- Jamestown Settlement Museum
Master's Candidate, East Carolina University
Graduate of The College of William & Mary in Virginia
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