Progress pictures of a Germam harnes 15th century

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thorgaz
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Post by thorgaz »

Jiri Lucius. wrote:I gues around 13 - 14 min, maybe less. Depends on the mood and music.
Man it is easy.
If you don't mind me asking, I would love to hear what tools and techniques you use to make it take such a short amount of time and be so easy.
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Post by Vigmund Gunnarson »

I would be interested in the techniques as well, though I guess I know the answer to the question why he works so quick yet stunning:
It´s just his outstanding awesomeness in making armor :twisted: :wink:

Vigmund
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Post by Signo »

I think he first dish the piece over a stump then raise it over a pointed stake, the progress pictures of the gauntlet show the same process.
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Post by Vermin »

"If you don't mind me asking, I would love to hear what tools and techniques you use to make it take such a short amount of time and be so easy. "

Little elves.

When they're not baking cookies, guess where they are?

Now you know.... :wink:
"As far as setting down a drinking horn, historical records show that proper Viking etiquette was to simply jam the pointy end into the nearest non-Germanic person should one need his hands free...
y'know, if you had to pee....."
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Post by thorgaz »

Vermin wrote: Little elves.

When they're not baking cookies, guess where they are?

Now you know.... :wink:
I most certainly owe you a debt of gratitude for providing such knowledgable advice. I would attempt to traduce you by some vilifying epithet but your own alias will suffice, you Vermin! :P
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Post by RalphS »

Signo wrote:I think he first dish the piece over a stump then raise it over a pointed stake, the progress pictures of the gauntlet show the same process.
The way I'd do it is to use a ball peen hammer or domed punch and drive the point to the full depth/height it's supposed to have. Then support it over something which doesn't fill the point and collapse the sides with a raising hammer or gently rounded hammer. It's pretty easy to steer the location of the point, not much more difficult than peening a rivet.

Jiri, what's your method?
Great looking work by the way!
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Post by Jiri Lucius. »

RalphS wrote:
Signo wrote:I think he first dish the piece over a stump then raise it over a pointed stake, the progress pictures of the gauntlet show the same process.
The way I'd do it is to use a ball peen hammer or domed punch and drive the point to the full depth/height it's supposed to have. Then support it over something which doesn't fill the point and collapse the sides with a raising hammer or gently rounded hammer. It's pretty easy to steer the location of the point, not much more difficult than peening a rivet.

Jiri, what's your method?
Great looking work by the way!
Yea, its exactly as you writte.
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Post by Alec »

Jiri,

These are fanttastic photos. Very instructive. I particularly appreciate you showing the hammers and other tools you are using.

Dekuji!
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Post by Otto von Teich »

Those gadlings are lovely! Works of art by themselves.
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Post by Jiri Lucius. »

Image
Image
Image
Image
Image
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Post by lorenzo2 »

Nice, can't wait to see the thumbs.
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Post by Carnifex- »

Those look very nice. :D
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Post by lorenzo2 »

Coming together beautifully. Its kind of shame all those hammer marks are going to get polished out.
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Post by Jon Terris »

Nice work Jiri, thank you for sharing! Thanks to these pictures I have been able to improve my work many times over!

Can I ask what you have used to highlight the file-work? The black in the lines really makes them stand out!

JonT
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Post by Jiri Lucius. »

Jon Terris wrote:Nice work Jiri, thank you for sharing! Thanks to these pictures I have been able to improve my work many times over!

Can I ask what you have used to highlight the file-work? The black in the lines really makes them stand out!

JonT
Well after you file the stuff out, just paint it with some paint for small models that dries wery fast and run it over with the polishing wheel again. The axcess paint will be taken away and the heat just burns the black color into the steel. :lol: :lol:

Jiri
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Post by Jiri Lucius. »

Dam, somehow I got stuck at home with no time to do anything at the workshop. I made a small progres, now assembling the gauntlets.
Sorry Brian for not having time to respond. Here are some pictures.

[img]http://www.luciferarmoury.com/unedited/S4300425.JPG[/img]
[img]http://www.luciferarmoury.com/unedited/S4300426.JPG[/img]
[img]http://www.luciferarmoury.com/unedited/S4300427.JPG[/img]
[img]http://www.luciferarmoury.com/unedited/S4300428.JPG[/img]
[img]http://www.luciferarmoury.com/unedited/S4300429.JPG[/img]
[img]http://www.luciferarmoury.com/unedited/S4300430.JPG[/img]
[img]http://www.luciferarmoury.com/unedited/S4300431.JPG[/img]
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Hi there

Post by Pitbull Armory »

Good lord Jiri........... your work is magical. Thanks for taking the time to show me what real armor looks like.

Take care

Pitbull

PS How do you remove the hammer marks between all the flutes?
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Re: Hi there

Post by Jiri Lucius. »

Pitbull Armory wrote:Good lord Jiri........... your work is magical. Thanks for taking the time to show me what real armor looks like.

Take care

Pitbull

PS How do you remove the hammer marks between all the flutes?
It needs to be planished litle bit more and then sand the rest out. Its a pain in the ass to do it.

Jiri
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Post by Rod Walker »

I love your work so much.
God keep you Rod. So few people hear the call of madness so clearly and follow it so loyally. - Jehan de Pelham

More attitude than a Lesbian Manhater with a nice pair and a Peachy Arse.

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Post by Mike England »

Dear God, I love those gauntlets.
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Post by Aaron Schnatterly »

Guys, seriously... the pair of gauntlets Jiri made for me a while back are amongst my most favorite, prized physical possessions.

You think they LOOK good... they are MIND-BOGGLING when worn. I'd guess Rod would confirm this.

Hands-down (pun intended), one of the best selfish purchases I've ever made.

Looking to be another beautiful pair, Jiri! Thanks for sharing!
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Jiri Lucius.
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Post by Jiri Lucius. »

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Post by Ghostpig »

Your work is just phenomenal!

Every new pair of gauntlets is cooler that the previous. Keep it like that.
...
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Post by Aussie Yeoman »

As always, those are absoloutely stunning.

Jiri, if you do photo requests, can I please ask for a photo of the gauntlet on your hand without the glove? This is so that I can get a better idea of where the articulation points sit in relation to the hand for my own gauntlet projects.

Cheers,

Dave
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Post by Donald St. Colin »

I like looking at Jiri's work but I feel like a retard when I do.

Here is a metaphor. You got Jiri's work and my work. Sure, they are both armor and you can try both on, but you only want your friends to see you in one of them.
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Post by Signo »

Donmall, if this is your problem you just neet to grind it more, like in sculpture, the final stage is already into the rock... you just need to remove all the excess material :lol:
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Post by Donald St. Colin »

I'll bring a lunch and a lantern. :D
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Post by Duco de Klonia »

First:

Great work...

Then: Jiri, can you tell me, how do you make those nice, grooved lines inside the flutes; do you use a chisel, do you carve them?
How?? please tell me...
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Post by Jiri Lucius. »

Duco de Klonia wrote:First:

Great work...

Then: Jiri, can you tell me, how do you make those nice, grooved lines inside the flutes; do you use a chisel, do you carve them?
How?? please tell me...
I use a small file to do the lines. It has a shape like this () of course with sharp edges on both sides. I can make a picture of it if you want.

Jiri
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Post by es02 »

Jiri Lucius. wrote:I use a small file to do the lines. It has a shape like this () of course with sharp edges on both sides. I can make a picture of it if you want.

Jiri
Of course we want pictures! :D
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