How to deal with maille around face-Aventail
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newfghtr
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How to deal with maille around face-Aventail
I am in the process of attaching a camail to a Bascinet with the standard
leather "staple" and vervelles.
My queston lies in what to do or what was done in period with the excess
maille at and around the face opening of the helm.
leather "staple" and vervelles.
My queston lies in what to do or what was done in period with the excess
maille at and around the face opening of the helm.
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Klaus the Red
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Last edited by Klaus the Red on Wed May 21, 2008 11:38 pm, edited 1 time in total.
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Klaus the Red
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Konstantin the Red
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Klaus the Red
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Drawbridge... that's a really great analogy!
If you don't want to do the full liner like I did, threading a leather thong or shoelace through the top row of links (right under your lower lip) and tightening that curve just a little bit will help keep it closer to your chin and not sag.
Klaus the Red, no relation.
If you don't want to do the full liner like I did, threading a leather thong or shoelace through the top row of links (right under your lower lip) and tightening that curve just a little bit will help keep it closer to your chin and not sag.
Klaus the Red, no relation.
- Ingelri
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That's exactly what I do with mine. Works just fine.
Ingelri
Ingelri
Klaus the Red wrote:If you don't want to do the full liner like I did, threading a leather thong or shoelace through the top row of links (right under your lower lip) and tightening that curve just a little bit will help keep it closer to your chin and not sag.
Klaus the Red, no relation.
- Chris Gilman
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I don't think that is the correct solution.
If you look at effigies of the period, the aventail has a bit of a "corner" to it on the face opening and is flat across the face. In order to achieve this you must remove links at the top of the face opening. If you visualize the piece of mail in the face opening as an "H" the top two legs of the "H" need to be 8 to 10 links less wide than the bottom to achieve this flat front or "cornered" look.
In other words. The flap that comes up into the face opening needs less width on the top of the face opening. I removed, if memory serves, about 5 links on each side of the top of the face "flap". I tapered this out to the "full" width I thought I needed. You have now pulled the top of the flap, closer to the face and at the bottom it accommodates the chin. The result (once sewn to a silk or linen lining) is a flat front to the aventail, just like the effigies of the period. I’m in Vancouver at the moment, but next week if needed I can get some pictures of this piece I'm referring to.
The "thong" through the curve is a cheat and not needed if the mail is tailored correctly.
If you look at effigies of the period, the aventail has a bit of a "corner" to it on the face opening and is flat across the face. In order to achieve this you must remove links at the top of the face opening. If you visualize the piece of mail in the face opening as an "H" the top two legs of the "H" need to be 8 to 10 links less wide than the bottom to achieve this flat front or "cornered" look.
In other words. The flap that comes up into the face opening needs less width on the top of the face opening. I removed, if memory serves, about 5 links on each side of the top of the face "flap". I tapered this out to the "full" width I thought I needed. You have now pulled the top of the flap, closer to the face and at the bottom it accommodates the chin. The result (once sewn to a silk or linen lining) is a flat front to the aventail, just like the effigies of the period. I’m in Vancouver at the moment, but next week if needed I can get some pictures of this piece I'm referring to.
The "thong" through the curve is a cheat and not needed if the mail is tailored correctly.
Chris
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Klaus the Red
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But it's a hell of a lot easier, and you can't screw it up. I've often taken out too many links when I shouldn't have.
I'm sure it was done sometime by someone. I imagine there were well-made camails that were shaped as you describe, and munitions-grade ones with lacing. How can it be "cheating" if it's period-plausible and it achieves the desired effect?
I'm sure it was done sometime by someone. I imagine there were well-made camails that were shaped as you describe, and munitions-grade ones with lacing. How can it be "cheating" if it's period-plausible and it achieves the desired effect?
- Chris Gilman
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Klaus the Red wrote:But it's a hell of a lot easier, and you can't screw it up. I've often taken out too many links when I shouldn't have.
I'm sure it was done sometime by someone. I imagine there were well-made camails that were shaped as you describe, and munitions-grade ones with lacing. How can it be "cheating" if it's period-plausible and it achieves the desired effect?
Why do you think that? Why waste extra links when they are not needed?
Professional tailors do not use staplers to hem dresses!
I’m surprised at the response; this is not a difficult thing. And if you remove too many links……...put them back!
Chris
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Klaus the Red
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Konstantin the Red
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Hold on, Klaus and Gaston...
Just from the descriptions I think you two are speaking of two different "aventails." You should shake hands and make up.
This is why Newfghtr wrote "camail," and why I also do.
Gaston is talking about the appendage to a mail coif, Klaus about a bascinet camail. Since you don't ventilate through that part, that's why I insist on saying camail.
And remarking that a plate full of holes in front of your face is also a ventail, when necessary.
This is why Newfghtr wrote "camail," and why I also do.
Gaston is talking about the appendage to a mail coif, Klaus about a bascinet camail. Since you don't ventilate through that part, that's why I insist on saying camail.
And remarking that a plate full of holes in front of your face is also a ventail, when necessary.
"The Minstrel Boy to the war is gone..."
- Chris Gilman
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No, I'm referring to an aventail on a bascinet. Not a coif.
I'm sorry you feel your blood pressure rise. I just do not agree with your logic.
I do not agree that an armourer of the period would prefer to leave more links in an Camail/ aventail and lace them up with a leather thong, than using a correctly tailored pattern to achieve a better result and using less mail. The first way seems to be more work and uses more material. It also does not result in the same line that you see in effigies of the period.
I'm sorry you feel your blood pressure rise. I just do not agree with your logic.
I do not agree that an armourer of the period would prefer to leave more links in an Camail/ aventail and lace them up with a leather thong, than using a correctly tailored pattern to achieve a better result and using less mail. The first way seems to be more work and uses more material. It also does not result in the same line that you see in effigies of the period.
Chris
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The surviving aventails/camails from Churburg and Chartres are tailered to the face without the use of a leather thong.
There is a little trick to it which I figured out by staring at pictures of the Churburg 13 for a couple of hours.
I have used this technique on about a half a dozen basinets over the years. The facial opening fits closely enough that you can wear your mustache over the mail like Black Prince.
I have a set of instructions which I've given to armorers in the past, but it is in my handwriting, and therefore almost impossible to read. If there is interest, I can rewrite and re-illustrate it and post it here. It will take me a few hours to do this.
Mac
There is a little trick to it which I figured out by staring at pictures of the Churburg 13 for a couple of hours.
I have used this technique on about a half a dozen basinets over the years. The facial opening fits closely enough that you can wear your mustache over the mail like Black Prince.
I have a set of instructions which I've given to armorers in the past, but it is in my handwriting, and therefore almost impossible to read. If there is interest, I can rewrite and re-illustrate it and post it here. It will take me a few hours to do this.
Mac
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Konstantin the Red
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Me too. Passionately. I'm writing an article on making and attaching a camail, trying to compile all the good knowledge of method I can find -- or can link to. It will likely end up addressing several levels of experience.
I'm sure I should link, for instance, to Klaus the Red's illustrated how-to. Were your article to be filed on a server, I would link to that also.
I'm sure I should link, for instance, to Klaus the Red's illustrated how-to. Were your article to be filed on a server, I would link to that also.
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- Kalle Ommer
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Mac wrote:The surviving aventails/camails from Churburg and Chartres are tailered to the face without the use of a leather thong.
There is a little trick to it which I figured out by staring at pictures of the Churburg 13 for a couple of hours.
I have used this technique on about a half a dozen basinets over the years. The facial opening fits closely enough that you can wear your mustache over the mail like Black Prince.
I have a set of instructions which I've given to armorers in the past, but it is in my handwriting, and therefore almost impossible to read. If there is interest, I can rewrite and re-illustrate it and post it here. It will take me a few hours to do this.
Mac
As I am in the process of doing a riveted camail for my bascinet I am more than interested
Kalle
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Konstantin the Red
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Sir Gaston wrote:No, I'm referring to an aventail on a bascinet. Not a coif.
Sir Gaston wrote:The flap that comes up into the face opening needs less width on the top of the face opening. I removed, if memory serves, about 5 links on each side of the top of the face "flap". I tapered this out to the "full" width I thought I needed. You have now pulled the top of the flap, closer to the face and at the bottom it accommodates the chin.
Did I misunderstand you somehow? A finished camail, at least, doesn't have a flap anywhere, unless you want to stretch a point with a German midcentury bretèche. Do you speak of the chin portion of a camail, front and center? So far, I've never built one except as a continuous circular piece, no loose flaps anywhere and not a lot of differentiation as to structure or weave over the chin either.
I agree about the taper, but I think I get it differently by establishing that as the forward edge of each temple triangle. Instead of your H-with-a-waist, I visualize a \_/ of about the same number of links at the base -- depends on link size.
If I read your description right, it suggests an angled join (45 or maybe 90 degree join) between linkrows, on either side of your jaw.
"The Minstrel Boy to the war is gone..."
- Chris Gilman
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I put flap in quotes to refer to the section of mail attached to the face opening of the bascinet. Not an actual flap.
your diagram is upside down. The mail is narrower at the top than the bottom. (Top being near your nose.)
your diagram is upside down. The mail is narrower at the top than the bottom. (Top being near your nose.)
Chris
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Konstantin the Red
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I think we may be imagining two different parts of the camail. This is a sketch of the bottom and sides of the face opening as defined by the camail with its triangles: \_/, and the bottom is between point of chin and lower lip. That's about as close to "near the nose" as it comes.
Leaving the bascinet skull out of things, from the front the camail looks roughly like |\_/|. A bit too hard to get a face in there looking back out at that scale...
Leaving the bascinet skull out of things, from the front the camail looks roughly like |\_/|. A bit too hard to get a face in there looking back out at that scale...
Code: Select all
|\ - - /|
/ \ " / \
/ \ something like that."The Minstrel Boy to the war is gone..."
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Konstantin the Red
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So, it turns out, I underestimated the scope of the revision, and it can't happen within the time scale I promised.
My original tutorial was developed before the days of "of the shelf" aventails, ind it presumes you are going to make one up, one ring at a time. Furthermore, most of it deals with the "cape" rather than the facial. While I'm sure many of you would like to see that, the original issue in this thread was dealing with the face, so I thought I should address that first.
My next post will include the diagram I just made today. It sums up the most important idea about facial tailoring in two pictures. I plan to elaborate on this at a later date. I'm going out of town for a week, starting on Tuesday, and wanted to post something before I did so.
Mac
My original tutorial was developed before the days of "of the shelf" aventails, ind it presumes you are going to make one up, one ring at a time. Furthermore, most of it deals with the "cape" rather than the facial. While I'm sure many of you would like to see that, the original issue in this thread was dealing with the face, so I thought I should address that first.
My next post will include the diagram I just made today. It sums up the most important idea about facial tailoring in two pictures. I plan to elaborate on this at a later date. I'm going out of town for a week, starting on Tuesday, and wanted to post something before I did so.
Mac
This diagram shows the "theory" of aventail facial tailoring.
It is a slightly simplified version of what is happening in the two aventails at Churburg (#13 and #15)
The most important thing about this type of tailoring is that the facial opening is bordered in "straight grained" mail. This "straight grain" will bear tension, in a way that mail cut on a diagonal will not.
The bottom of the facial opening is made just wide enough for the mouth.
The upper corners of the facial are lifted up, and out, and sewn to the leather band at the level of the eyebrows.
The "bias grain" edges of the facial are sewn to the leather band. This stabilizes them, so they sit neatly, without sagging.
The lifting of the facial affects the drape of the mail of the "cape" across the chest. It makes the lower edge fall straighter across, like the contemporary illustrations. It also causes the mail over the chest to be less tense, so fewer expansions are needed in front.
I call this the "simplified" tailoring, because the two aventails at Churburg have a slightly different treatment of the diagonal or "bias" edges of the facial. They are not sewn directly to the leather band, but instead are joined obliquely to a narrow strip (three rings wide) of "straight grained" mail which is sewn to the leather.
I will deal further with the more sophisticated version at a later date.
I will be here to answer questions today and tomorrow, then I'm gone for a week.
Mac
It is a slightly simplified version of what is happening in the two aventails at Churburg (#13 and #15)
The most important thing about this type of tailoring is that the facial opening is bordered in "straight grained" mail. This "straight grain" will bear tension, in a way that mail cut on a diagonal will not.
The bottom of the facial opening is made just wide enough for the mouth.
The upper corners of the facial are lifted up, and out, and sewn to the leather band at the level of the eyebrows.
The "bias grain" edges of the facial are sewn to the leather band. This stabilizes them, so they sit neatly, without sagging.
The lifting of the facial affects the drape of the mail of the "cape" across the chest. It makes the lower edge fall straighter across, like the contemporary illustrations. It also causes the mail over the chest to be less tense, so fewer expansions are needed in front.
I call this the "simplified" tailoring, because the two aventails at Churburg have a slightly different treatment of the diagonal or "bias" edges of the facial. They are not sewn directly to the leather band, but instead are joined obliquely to a narrow strip (three rings wide) of "straight grained" mail which is sewn to the leather.
I will deal further with the more sophisticated version at a later date.
I will be here to answer questions today and tomorrow, then I'm gone for a week.
Mac
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- white mountain armoury
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Here is a detail of the Churburg #15, showing the way the "bias grain" mail of the facial is joined to the narrow straight grained strip which is sewn to the leather.
Note well; that the edge which defines the wearers face is "straight grain".
Mac
Note well; that the edge which defines the wearers face is "straight grain".
Mac
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Looking at that picture of the Cherbourg, it makes me ask, did they do the leather to mail attachment working with just the three or so rows, and then connect the aventail to those rows.
I can see where that would make stitching to the leather a much more manageable process, not having to control the behaviour of the entire aventail while stitching...
I can see where that would make stitching to the leather a much more manageable process, not having to control the behaviour of the entire aventail while stitching...
Gavin Kilkenny
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hardened leather armour and sundry leather goods
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Proprietor
Noble Lion Leather
hardened leather armour and sundry leather goods
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Gavin,
I think not really; at least historically.
For one, sewing on an aventail that actually fits is not a great hardship. I realize that this is not the experience of most of this list's readers, but I hope that that will change.
The other reason is, that this would involve the cooperation of two different craftsmen, the mail maker and the guy who sews the aventail on. The latter is probably the same as the guy who makes and sews in the lining.
This is not the same as saying that I never do it the way you suggested. I frequently do, because I am both of those guys.
Mac
I think not really; at least historically.
For one, sewing on an aventail that actually fits is not a great hardship. I realize that this is not the experience of most of this list's readers, but I hope that that will change.
The other reason is, that this would involve the cooperation of two different craftsmen, the mail maker and the guy who sews the aventail on. The latter is probably the same as the guy who makes and sews in the lining.
This is not the same as saying that I never do it the way you suggested. I frequently do, because I am both of those guys.
Mac
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I've had the opportunity to stitch four aventails on to leathers for mounting to vervelles. It takes less than an hour to do so for an aventail that fits correctly. The real trick is to make sure the leather is trained to lie flat against the basinet before you begin the process of sewing. This makes the job much easier.
I use artificial sinew or heavy waxed thread and a big o'l carpet needle. The holes for the thread are prepunched using the distance between links as a guide to the spacing. The holes for the vervelles must also be punched prior to sewing since you may want to attach the leather as you go. This makes sewing the base ( or cape) of the aventail a breeze. This trick also works for the facial triangles, but I find myself dismounting the leathers at this juncture from time-to-time to more easily get at sewing holes. (Its okay, the leather will slip right back on.)
The hardest part is the facial. Make sure that the links lie flat and you don't "twist" them so they stand up when you sew them in place. Just watch the grain and everything will work out all right.
I've used Mac's twin triangles to make three facials. One for an aventail I built one link at a time and three for some ready made aventails. Tailoring the triangles is not very difficult; it just takes a bit of time and a lot of patience. (Especially if you're new to tailoring riveted mail.) This is something you’ll have to do with the current batch of riveted mail, nobody sells them with the facial triangles in place.
Take care,
AcW
I use artificial sinew or heavy waxed thread and a big o'l carpet needle. The holes for the thread are prepunched using the distance between links as a guide to the spacing. The holes for the vervelles must also be punched prior to sewing since you may want to attach the leather as you go. This makes sewing the base ( or cape) of the aventail a breeze. This trick also works for the facial triangles, but I find myself dismounting the leathers at this juncture from time-to-time to more easily get at sewing holes. (Its okay, the leather will slip right back on.)
The hardest part is the facial. Make sure that the links lie flat and you don't "twist" them so they stand up when you sew them in place. Just watch the grain and everything will work out all right.
I've used Mac's twin triangles to make three facials. One for an aventail I built one link at a time and three for some ready made aventails. Tailoring the triangles is not very difficult; it just takes a bit of time and a lot of patience. (Especially if you're new to tailoring riveted mail.) This is something you’ll have to do with the current batch of riveted mail, nobody sells them with the facial triangles in place.
Take care,
AcW
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Mac wrote:I see from the view numbers, that a lot of people are looking at this thread, but there hasn't been a lot of talk.
May I assume that you are all busy re-tailoring the faces of your aventails?
Mac
[/lurk]not here, just listening intently with both eyes
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