Courtesy of the Internet Vol 2

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Andrew Young
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Courtesy of the Internet Vol 2

Post by Andrew Young »

Ive got a handful more Ill upload shortly.

Escarpe con acicate. Silgo XV. Museo del Ejército. Madrid
[img]http://www.saber.es/img/recursos/regnum/fotos/600/f032.gif[/img]

Bacinete siglo XIV. Museo de Burgos
[img]http://www.saber.es/img/recursos/regnum/fotos/250/f031.gif[/img][img]http://www.saber.es/img/recursos/regnum/fotos/600/f031.gif[/img]


http://araldica.blogspot.com/2006/12/articolo.html
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http://www.carabinieri.it/Internet/Edit ... 062-00.htm
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from here:
http://www.arscives.com/bladesign/RDCollection.htm


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from Gravensteen castle


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Nº Inventario 2793
Colección ARMAS Y ARMADURAS
Autor
Título Armadura completa.
Cronología XVI
Escuela Española
Lugar de producción España
Técnica Grabado
Dimensiones 175 cm.
Localización En reserva

* Ficha técnica tomada de CAMPS CAZORLA, Emilio en Inventario del Museo Lázaro 1948 - 1950
Bibliografía

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Nº Inventario 115
Colección ARMAS Y ARMADURAS
Autor
Título Armadura Maximiliana.
Cronología XVI (mediados)
Dimensiones 180 cm.
Localización En reserva

* Ficha técnica tomada de CAMPS CAZORLA, Emilio en Inventario del Museo Lázaro 1948 - 1950
Exposiciones Bibliografía

Image
Nº Inventario 117
Colección ARMAS Y ARMADURAS
Autor
Título Armadura.
Cronología XVI (mediados)
Dimensiones 184 cm.
Localización En reserva

* Ficha técnica tomada de CAMPS CAZORLA, Emilio en Inventario del Museo Lázaro 1948 - 1950
Bibliografía

Image
Nº Inventario 160
Colección ARMAS Y ARMADURAS
Autor
Título Armadura.
Cronología XVI (primera mitad)
Dimensiones 177 cm.
Localización En reserva

* Ficha técnica tomada de CAMPS CAZORLA, Emilio en Inventario del Museo Lázaro 1948 - 1950
Bibliografía

Image

Nº Inventario 161
Colección ARMAS Y ARMADURAS
Autor
Título Armadura.
Cronología
Dimensiones 179 cm.
Localización En reserva

* Ficha técnica tomada de CAMPS CAZORLA, Emilio en Inventario del Museo Lázaro 1948 - 1950
Bibliografía

Image

Nº Inventario 111
Colección ARMAS Y ARMADURAS
Autor
Título Celada.
Cronología XVI (primera mitad)
Dimensiones 49,5 cm.
Localización En reserva

* Ficha técnica tomada de CAMPS CAZORLA, Emilio en Inventario del Museo Lázaro 1948 - 1950
Bibliografía
Antiguo Inventario Celada con narizal en punta y visera rasgada, con su bara de malla, y puesta sobre busto con esclavina de mall. Dimensiones: altura total sobe maniquí, 495 mm. (CAMPS CAZORLA, Emilio 1949-1950) .

Reproducciones R.004-07
Digitalización de alta resolución CD ROM (A)

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Nº Inventario 113
Colección ARMAS Y ARMADURAS
Autor
Título Celada.
Cronología XVI
Escuela Milanesa (?) / Italiana (?)
Lugar de producción Milán (?) / Italia (?)
Material Hierro
Dimensiones 49 cm.
Localización En reserva

* Ficha técnica tomada de CAMPS CAZORLA, Emilio en Inventario del Museo Lázaro 1948 - 1950
Bibliografía


Antiguo Inventario Celada de hierro con babera y peto y doble visera con tanillas rasgadas horizontales; cresta y damasquinado fondos rellenos dorados. Dimensiones: altura completa, 49 centímetros. (CAMPS CAZORLA, Emilio 1949-1950) .

Reproducciones R.004-06
Digitalización de alta resolución CD ROM (A)












And I couldnt resist:

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Last edited by Andrew Young on Wed Mar 26, 2008 1:19 am, edited 2 times in total.
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William of Stonebridge
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Post by William of Stonebridge »

It would be hard to run with the legs like that. :lol:
Are the pauldrons right? They look odd too me.

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Respectfully,
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Post by Broadway »

This helm has the same expression as Josh Warren's.

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dulce periculum
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Andrew Young
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Post by Andrew Young »

yes it does :)
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Donal Mac Ruiseart
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Post by Donal Mac Ruiseart »

Durasteel wrote: And I couldn't resist

Bah-dah, bah-dah-dah!

Bada-bada-bada bah bah-dah-dah!


Or ahould it be, "Resistance is futile!" ? :twisted:
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Post by Talbot »

wow, there are a lot of "Victorianisms" in that lot! Some authentic stuff too though.
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Post by Mike England »

William of stonebridge wrote:It would be hard to run with the legs like that. :lol:
Are the pauldrons right? They look odd too me.

Image


I recall seeing this image around here somewhere and the pauldrons are on backwards.
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Post by Mac »

The first picture is the very quintessence of a Victorian sabaton. I think every collection must have one or two. There must have bean a shop that turned out hundreds of them.

There are so few real gothic sabatons extant, that collectors have little to help them sharpen their eyes. These hideous fakes just get accepted; in part out of ignorance, and in part out of the blinding romantic desperation that drives people to want to have "complete suits".

Beware!

Mac
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Post by James Arlen Gillaspie »

Whole lotta Winkelmeyer in that Spanish stuff. The 'Max' with the switched legs has its pauldrons on forwards, but the right one has come apart.
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Post by Andrew Young »

I know there some vicky stuff in there....but then again, vicky stuff is probably worlds better thant he average scadian gear too.

As an astute capt once said..its the lesser of two weevils :mrgreen:
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Post by Mac »

Durasteel Corporation wrote:I know there some vicky stuff in there....but then again, vicky stuff is probably worlds better thant he average scadian gear too.

As an astute capt once said..its the lesser of two weevils :mrgreen:



I'm with ya for the most part...But armor still has to pass the "can this work on the human body" test.
Look again at that sabaton. In spite of all it's lames, it will not flex the 70 or 80 degrees required as a minimum for walking.
That said, I do see your point. Sometimes I think that if the SCA could do a slavishly good copy of Violet le Duc's middle ages, the place would look a whole lot better.

"pissen' n' moanin'",
Mac
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Post by Andrew Young »

Mac wrote:
Durasteel Corporation wrote:I know there some vicky stuff in there....but then again, vicky stuff is probably worlds better thant he average scadian gear too.

As an astute capt once said..its the lesser of two weevils :mrgreen:



I'm with ya for the most part...But armor still has to pass the "can this work on the human body" test.
Look again at that sabaton. In spite of all it's lames, it will not flex the 70 or 80 degrees required as a minimum for walking.
That said, I do see your point. Sometimes I think that if the SCA could do a slavishly good copy of Violet le Duc's middle ages, the place would look a whole lot better.

"pissen' n' moanin'",
Mac



I did my thesis on victorian medievalism and classicism....good old le Duc was so much fun to cite. ....along with Bessemer and a whole caudry of circus showmen of the 19th century. Gotta love 'em.
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