Tassets: their construction and usage (long)
Posted: Tue Oct 21, 2003 5:21 pm
A little background first:
I have just completed work on a set of articulated, full-length (hip to knee) tassets for use in SCA fighting. The period ones I found articulated like a clamshell gauntlet (i.e., rivets sliding in slots) but scuttlebutt was that trying to go to your knees in them had the unpleasant effect of driving the upper portion into your body armor or body.
So I modified the design to be more like "leg spaulders," in which overlapping plates are suspended from 2 leather straps that hang down the inside. They fit great, look cool, and I can take a knee without lacerating the love handles. I have them suspended from a belt that hides beneath my body armor but I could also hang them from a breastplate, in period fashion, should I so choose.
My question is this: why were the period tassets done the way they were? The period design has the upper plate sliding behind the lower, which would seem to have the (possibly desired?) effect of grabbing and holding a downward-swinging blow rather than shedding it as mine would. My design also allows greater range of motion (I think), perhaps at cost of rigidity, although rigidity could be important factor given that the 2-handed weapons of the day might hit with force enough to break a femur if the force were not well-dispersed by armor.
Anyway, anyone with thoughts or experience on the matter is encouraged to chip in. The research has answered no questions, only created them.
I love that.
Sincerely,
David Cox
I have just completed work on a set of articulated, full-length (hip to knee) tassets for use in SCA fighting. The period ones I found articulated like a clamshell gauntlet (i.e., rivets sliding in slots) but scuttlebutt was that trying to go to your knees in them had the unpleasant effect of driving the upper portion into your body armor or body.
So I modified the design to be more like "leg spaulders," in which overlapping plates are suspended from 2 leather straps that hang down the inside. They fit great, look cool, and I can take a knee without lacerating the love handles. I have them suspended from a belt that hides beneath my body armor but I could also hang them from a breastplate, in period fashion, should I so choose.
My question is this: why were the period tassets done the way they were? The period design has the upper plate sliding behind the lower, which would seem to have the (possibly desired?) effect of grabbing and holding a downward-swinging blow rather than shedding it as mine would. My design also allows greater range of motion (I think), perhaps at cost of rigidity, although rigidity could be important factor given that the 2-handed weapons of the day might hit with force enough to break a femur if the force were not well-dispersed by armor.
Anyway, anyone with thoughts or experience on the matter is encouraged to chip in. The research has answered no questions, only created them.
I love that.
Sincerely,
David Cox
