http://www.myarmoury.com/talk/viewtopic.php?t=28008
I've also tagged as many examples as I can find on Manuscript Miniatures and on Armour in Art:
http://manuscriptminiatures.com/search/ ... ew=gallery
http://armourinart.com/248/398/
http://armourinart.com/293/472/
There are a few miniatures which I've collected which haven't made the updates yet, like this example: Unfortunately, I haven't found any examples in Effigies and Brasses, though the peak years of 1175-1230 or so is a bit early for effigies. If anyone knows of sculptural examples I'd love to see them.
For some contemporary documentary evidence, we have these lines from Chretien de Troyes Erec et Enide from c. 1170. Primary source is BNF 794, folio 07v, near the top of the central column--circa line 715 of the poem. The young girl arms Erec:
http://gallica.bnf.fr/ark:/12148/btv1b84272526/f28.item
Various interpretations of this Chanson exist in modern English, and most seem to agree that the mail chauces de fer are laced with deerskin thongs.Lace li les chauces de fer
& q(ue j)ust acorroie de cer
Hauber livest de boene maille
& se li lace la ventaille
After observing several examples of reenactors trying to mimic this style of chausses, I observed two errors. The first is that the lacing alone is not sufficient to pull the mail into the "teeth" which is shown in the artwork. The second is that all of the examples of 12th century lacing I have found are not cross-laced as used by the reenactors, but spiral lacing, like this bliaut sculpture at Angers Cathedral.
So here is my question.
If I weave the "teeth" into the mail, but use a spiral lace, can the teeth oppose each other point to point, or will they have to be offset, point to valley?