Yer right -- it's a key difference in perception.
If you use all closed helmets (or for that matter "no hidden armour") you run the risk of the ignorant coming away with the perception that more armour was used in period than is true.
But, if you use a-historical modifications (like the SCA grill) you run the risk of people coming away with the notion that these are in some way period -- or you wind up with backwards searching for documentation (like that one painting being used to justify all the Bar-gril Bascinets).
Or you get the ridicule that SCA's "duct tape warriors" get -- with little kids making fun of the guys doing the demo.
This is the problem with putting all your eggs in one basket -- ie: using Rattan combat to represent anything and everything your heart can dream.
It is my considered opinion that a full-service historically minded group should offer several forms of combat representation:
If you want to play at sports competition (whether with full force rattan or touch calibration steel weapons) -- you're gonna need to have safety rules and some form of modification. Well then -- make the modification part of the game -- have the safety rules, have all the force you want, and recognise that a Combat Game would be attended by an unrepresentative group in period as well and the armour would be unrepresentative by design (how many Frog-Mouths you think were worn in a war? do you think the percentage of full armour at a Tournament is at all anything like the percentage of full armour at a war?)
If you want to represent a battle field -- then you should have the open-face helmets, the padded or just wool gambesons...
No faking, no modifications -- after all, you don't want the spectators to think the wrong thing about what was worn in battle!
And have a staged battle with either slowed or choreographed fighting with blunt weapons.
...or, if you want a game of full-out war -- then do what the folks near Kiev are doing -
Spend the weekend in a War situation --
No fraternising with your enemy.
Ambushes, raids on the enemy villages and military compounds, enslavement -- as well as the standard battlefield.
And when you're dead -- you're dead. Get a new personna.
And fact is, our whole presentation is unrepresentative of the historic situation --
I know of only one guy who plays a beggar anywhere near consistently -- and even he does archery competitions and has a booth at events selling archery equipment.
How many beggars were there in the average medieval situation (how many of these beggars were archers and merchants at the same time)?
How many people play consistant peasant persons? Craftsmen? How many people just cook and serve as their reenactment experience? How many monks you know? (not "warrior-monks") (how about cloistered ones?)
The vast majority of SCAdians play military nobility. Even the folks that claim to be poor whatever -- in the end result generally wind up playing military nobility.
And there's nothing wrong with that.
The average medieval person would make a more boring presentation (from the point of view of the reenactor) than a modern mid-level management flunky.
That's why medieval literature tends to portray warrior nobility.
You read "Tales of Dede Korkut" -- there's ONE shepheard in that collection - the rest arre all warriors (and even the shepheard is a sort of superhero).
You read the Kiev "Biliny" -- one peasant (and a rich one at that - and a superhero), one merchant (and he's a magician) - the rest are all warrior nobility (though some have roots in the peasant or religious class). Add the Novgorod stories and you get one more merchant -- who is a "super-musician" and has a personal relationship with a Sea god, and a superhuman street brawler.
"Shah Nameh", "Beowulf", the whole Arthurian cycle...
where's the infrastructure that supports all these Superheroes and Noblemen?
The infrastructure is boring. No one's gonna compose a song about Joe the serf who breaks his back in the fields all day and comes home to a supper of gruel.
(except the Skoromohy -- and that would really be something to see - a well played personna based on a Skoromohy Bilina!)
And no one's going to play Joe the serf in a modern historical reenactment either.
The SCA governing documents say that we're all presumed to be nobility.
That's probably the one thing in those documents that I think is correct.
Moreover - lets be real honest - we all tend to presume ourselves something more than the average nobility -- someone that Buyan would sing about rather than someone that Chaucer would make fun of.
All I'm arguing for with all this is a more honest reenactment.
We're not representing the medieval situation. We're representing selected portions of the medieval situation. Let's admit it and be comfortible with it.
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Norman J. Finkelshteyn
Armour of the Silk Road -
http://www.geocities.com/Athens/Olympus/3505The Silk Road Designs Armoury -
http://www.enteract.com/~silkroadJewish Warriors -
http://www.geocities.com/jewishwarriorsThe Red Kaganate -
http://www.geocities.com/kaganatesilkroad@spam.operamail.com (remove "spam" from e-mail to make it work)